Shakespeare's Joan of Arc (Henry VI, Part 1) (2015) - Notes from the Director

NO DEBATE: DON’T CONFLATE

Shakespeare’s three plays that cover the reign of King Henry the Sixth have not
gotten the love they deserve over the years. Maybe the reason is because some
scholars believe 1H6 was co-authored by Thomas Nashe (and/or others). Perhaps it’s because some scholars believe 2H6 and 3H6 were written first and then Shakespeare wrote 1H6 as a prequel. Or maybe some elitist folks are just snobbish about the “baseness” in the high number of fights, skirmishes, and broad battle scenes that seem to be inspired by the box office blockbuster Tamburlaine the Great by Christopher Marlowe. Whatever the criticisms may be, our mission with this production is to entertain your socks off with the beginning of Shakespeare’s King Henry the Sixth trilogy. Call it a new hope.


Some analyses of sixteenth century records say that 1H6 was a box office hit in 1592. But performances of 1H6 as a stand-alone play have been somewhat scarce ever since. Centuries after its first performances, conflations became king as theatres thought the only way to tell the H6 story was to reduce the three plays down to two. 1H6 has often been diminished to bits and pieces mashed-up with parts of 2H6 to create one play while the second half of 2H6 has been combined with a truncated 3H6 to create a second mash-up. Some of the more famous conflations over the years have even eliminated Joan of Arc and Talbot in order to take the three plays down to two. WHAT?! It’s like saying “I like the Beatles, but their catalogue is too large, so we’re going to remove all the John Lennon songs.” Or “I like the three original Star Wars films, but they’ve got too much material in them to be popular; so let’s cut out Han and Chewie so we can slice them down to be only two movies.” WHAT?!

When we did The Fair Maid of the West by Thomas Middleton in 2010, we did Part 1 rather than conflate the two parts into one show like Trevor Nunn did in the 1980’s. When we did Tamburlaine the Great in 2011, we did Part 1 rather than conflate the two parts into one show like most modern theatres have done, including the recent production in Brooklyn by Theatre for a New Audience starting John Douglas Thompson. I did not conflate Fair Maid or Tamburlaine for the simple reason that Part 1 of each those stories stands by itself as a powerful, engaging piece of theatre that would be watered down and compromised by hacking it to make room for pieces of its sequel.

Our production of Shakespeare’s Joan of Arc (Henry VI, Part 1) gives you all the great stuff Shakespeare (and whomever) put in it: the end of the 100 Years War between England and France, with all the fights and skirmishes, and deaths; the story of the mighty Talbot; the story of the amazing Joan; the start of the story of young King Henry; the introduction of the fabulous and deadly Margaret; and setting the stage for the white vs. the red Wars of the Roses. Maybe we’re on the cutting edge by going back to the text (like we are going back to the future recreating Shakespeare’s staging conditions) rather than “helping poor Shakespeare” by cutting and pasting his three Henry VI plays and hanging some kind of “new concept” on them. Hopefully you love Shakespeare’s Joan of Arc this fall so much that you’ll brag about it to your friends and family so they’ll see it too. And then all of you can join us in 2016 for The Rise of Queen Margaret (Henry VI, Part 2).

With a new Star Wars trio of films coming soon, we invite you to join us for the
opening installment of Shakespeare’s original trilogy first.

JIM WARREN
Artistic Director and Co-founder

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